Archive: Arts & Entertainment

The Cornell Center for Historical Keyboards offers a new hub for historical keyboard studies at Cornell. With professor emeritus Malcolm Bilson's fortepianos at its core, the collection encompasses a wide range of 19th- and early 20th-century pianos, as well as Cornell's outstanding organs, harpsichords, clavichords, and other keyed instruments into the 21st century. The Cornell Center for Historical Keyboards' new space at 726 University Avenue provides a rotating home for parts of this superb collection of concert-ready keyboard instruments; a collaborative space for researchers, performers, and students; and an array of programming and resources of interest to specialists and the public.

Through artist and scholar residencies, festivals, workshops, concerts, and masterclasses—at "726," across Cornell, and beyond—the Center's programs explore the history and technology of keyboard instruments from the earliest organs to the MOOG synthesizer, their influence in music and the arts, and the larger impact on global social history. The Center also supports Cornell Music Department's long-standing relationship with the Westfield Center for Historical Keyboard Studies, with which collaborations continue.

To celebrate the opening of "726," the September 6-7 celebrations offer a broad survey of all of the instruments in the collection. Concerts, demonstrations, talks, and lecture-recitals take place at Barnes Hall, Anabel Taylor and Sage Chapels, and at 726 University Ave.

Friday, September 6
"Keyboards in Conversation"
Performances by Annette Richards (Aeolian-Skinner and Vicedomini organs) and Richard Valitutto, Aditya Deshpande, Andy Sheng, and Thomas Reeves (Bechstein and Schweighofer pianos). Includes music by Franck, Messiaen, Alain, Pärt, Sierra, and a premiere by Miles Jefferson Friday.
8:00pm
Sage Chapel

Saturday, September 7
"Keyboard Colloquies"
9:30am-10:30am: Malcolm Bilson, with Xak Bjerken and Roger Moseley, presents an introduction to the historical keyboard collection at Barnes Hall.

10:45am-12:00pm: Graduate students present "Translations and Transcriptions," a lecture-demonstration of a variety of keyboard instruments at Barnes Hall.

Saturday, September 7
David Yearsley performs music by J. S. Bach on the Cornell Baroque Organ.
1:30pm-2pm
Anabel Taylor Chapel

Saturday, September 7
Open house to view and learn about the instruments of the collection, with Malcolm Bilson, Xak Bjerken, Roger Moseley, David Yearsley, Annette Richards, and Cornell graduate students.
2:30pm-4:30pm
726 University Avenue

Saturday, September 7
"Keyboard Collaborations"
Malcolm Bilson plays Chopin (Pleyel piano); Andrew Zhou plays Christopher Stark (Steinway piano); Miri Yampolsky and Xak Bjerken play Brahms, Dvořák, and Mendelssohn (Blüthner piano); Roger Moseley and Rachel Schutz perform songs by Schubert and Robert and Clara Schumann (Graf piano); Roger Moseley and Malcolm Bilson play Mozart (Walter piano); Richard Valitutto and Xak Bjerken play Kurtág/Bach (Steinway piano).
8:00pm
Barnes Hall

Additional concerts from September 5-11 include:

Thursday, September 5
Midday Music: Composer Piyawat Louilarpprasert presents an exploration of sound and visual interaction with fellow composer Sergio Cote and saxophonist Pisol Manatchinapisit.
12:30pm
Lincoln B20

Sunday, September 8
Jazz faculty concert featuring a mix of original and standard compositions, with James Spinazzola, Paul Merrill, Dave Solazzo, Peter Chwazik, and Greg Evans.
7:00pm
Carriage House Café Loft

Wednesday, September 11
Midday Music for Organ: Annette Richards, "The Color Machine": 18th-Century organ fantasies, variations, and more, from the Bach circle.
12:30pm
Anabel Taylor Chapel

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